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02. UN CENSORED

A DIGITAL UTOPIA AS A COLLAGE

ON 220 PAGES. 

SELF PUBLISHED 2020.

DIGITAL TABOOS OF A MEDIA SOCIETY. 

 

CENSORSHIP. A DAILY ROUTINE IN WHICH SNAPSHOTS ARE MORE DIGITALLY VISIBLE THAN REAL PERCEPTION. A CONSCIOUSNESS THAT WITHDRAWS INTO THE VIRTUAL WORLD TO ESCAPE ANALOG REALITY. THAT WHICH IS MADE INVISIBLE SHOULD BE INTERPRETED AND INVESTIGATED ON MULTIPLE LEVELS. WHAT REMAINS TO BE EXPERIENCED FROM THE HIDDEN AND INVISIBLE? AN ALIENATION OF REALITY – A NEW TRUTH.

 

THE INTERNET, A DECENTRALIZED PLACE OF FREEDOM. A PLACE OF UNIMPEDED COMMUNICATION. IMAGES, VISUAL COMMUNICATION, TEXTS, THOUGHTS AND IDEAS MANIPULATED BY FILTERING PROTOCOLS. BLIND SPOTS IN A SEEMINGLY TRANSPARENT WORLD, THE BAN ON FEMALE NUDITY WHILE VISUALIZED ACTS OF VIOLENCE ARE CONDONED, AND THE REGULATION OF THOUGHTS AND IDEAS BOTH SPOKEN AND WRITTEN, ARE ALL FORMS OF CENSORSHIP AND TABOOIZATION. ANONYMIZATION IN A HIGHLY SUGGESTIBLE, TRANSPARENT WORLD.

 

A DIGITAL UTOPIA AS COLLAGE ›UN CENSORED – DIGITAL TABOOS OF A MEDIA SOCIETY‹ EMPLOYS PRACTICES OF SEEING AND DISPLAYING, VISUALIZING AND HIDING. BREAKING CENSORSHIP.

 

THE BOOK, IN CONCEPTUAL AND DOCUMENTARY FORM, APPROACHES THE DIFFERENT GUIDELINES AND RULES OF DIGITAL DECEPTION. A CONTRAST IS CREATED BETWEEN ANALOG REPRESENTATIONS AND DIGITAL REALITIES.

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